How to become a jewelery designer

Anissa Kermiche Jewelery Credit image: Eva K Salvi

Rubha, diamond and pearls: jewelery has arisen from a mother's best work. Not surprisingly, then, it also has an interesting value. Not only do it to buy, to & # 39; get or use a jewelery that's a? Investing a distinctive piece of art – the manufacturers are responsible and designer's experiences and values. "It's important that you have personal relationships with the people or sources that buy my jewelery," a & # 39; explains the Danish photographer Sophie Bill Brahe. She finds out that the designers have an unexpected relationship with their creatures. "If I did it, I want to make sure he has a good life when he left my job." It is a jewelery where different skills, aesthetic and craftsmanship, and any designer need different skills, and skills; including arts, technical and commercial fields Vice-Vogue talks to six business leaders to guide the & become a jewelery chess today. Do you get what it is & # 39; take?

Bulgari, creative director Lucia Silvestri. Credit image: David Atlan

What is a jewelery designer doing?
Everyday work of jewelery design is a matter of whether you are choosing to go out for yourself or work for a brand. In a couple of ways, the most important and most consistent part of your job is to provide a strong and strong vision. At Bulgari, the creative director, Lucia Silvestri, will set out colored jewelery, make decisions together and arrange them in a putty to create their favorite co-ordination. For start-ups, the technique sketch begins, modeled with computer-based computer software (CAD) and software; choosing the stones. Production is then followed, & # 39; Start with a 3D-print prototype and finish with the work of the goldsmith, which is a. including metal and stone settings, as well as other technical functions such as carving and recycling. If you are not a single-person designer, working from a sketch to run, most of the designers will not be physically involved in a & # 39; creation process – but they still need to understand how jewelery is made if they want the design to be made.

Creative director Bulgari Lucia Silvestri works. Credit image: David Atlan

Guidance from business leaders and famous jewelery photographers
Whatever you want to design for a set up or running your own jewelery leaflet, it is the first thing you need to do to focus on your education. And as long as there is no right or wrong tracking, a child can up to six years. The British Jewelery Academy of London (BAJ), for example, offers programs between six months and three years, and including paid apprenticeships. According to the level students who are applying for, the trial interview process can take a behaviour – where you can; show your measuring, cutting, creating and blowing skills – and regional study.

But how do you access this airport? "I would definitely want to see what's behind a piece of preparation," said the head of the BAJ academy, Sofie Boons, Advising students to be coherent but chosen when they are choosing projects for their care. Students should always have ideas and prototypes in their exhibitions – "so I can see the thinking, the problem solving, [and] how they came to a certain solution, "the Boons definition." Part ready [alone] I do not say enough about their creative process. "

Alternatively, you could enter the favorite trades you. Bill Brahe was trained as a gold craft for nearly five years at the Copenhagen Technical and Technical Technical School before registering an MA course at the Royal College of Art of London. "Not to get their craft, [the design process] "She's getting pretty weak," she says, saying that the technical skills you get as a silver money means you can do a living to do so well to be planning.

Akira Haga, general manager of commercial development at the Japanese culture jeweler of Mikimoto. Credit image: provided

Guidance from business leaders and famous jewelery photographers

It is not always anxiety. The Silvestri team in Bulgari includes graduates in the European Institute of Institutions (IED), the Academy of Fashion and Fashion in Rome, and the Gemological America Institute (GIA). Other designers give less emphasis on technical knowledge. "I do not think it's useful to get deeper if you are [want to] create your own logo, "said French photographer Anissa Kermiche, who praises a short technical course to provide the essential introduction for 3D printing, trout and stone settings. Connect two BAJ – CAD technical courses to make jewelery and make level 2 jewelery – with BA creative in central Saint Martins jewelery design.

Sharp's decorative skills can also be found in the big brand door. For Akira Haga, the general marketing manager of the Japanese Mikimoto Japanese trademark, has a better degree from art or college school than technical technical skills. "It does not matter which course photographers come out," he says, "[but] they need the basic skills for trout. "Mikimoto's photographers come from different artistic and design scenes, including fine art, Japanese traditional art and business design.

Working at Japanese Mikimoto Japanese trademark jewelery. Credit image: provided

How do you go from a student to a jewelery designer?
How does Silvestri consult her & her; Find Your First Opening? "Scenic leaders, perhaps overseas, even as an office assistant," she says. When you turn into the door, it's time to focus your aerial. You need a strong archive of work; – appropriately between six and eight projects, showing potential for software trout and CAD, as well as your search and consideration of materials. When Bulgari interviews new people for her Seudry Academy, the team looks closely at the ability of a young designer to be able to. turning an idea in reasonable design. "Creativity should not be self-contained; it must be realized in a wise piece," Silvestri continues to say, it's possible to grasp, hand skills and deep knowledge and passion for the brand also inspected.

Sophie's Jewelery Bill Brahe. Credit image: Casper Sejersen

How do you go from a student to a jewelery designer?

The BAJ advertises job offers through its social channels, but Boons also have a " Provides advice to students to monitor commercial publications and websites such as Benchpeg, Jeweller Detail, Artist Information Company and National Association of Architects. In some cases, it is worth getting out to companies directly. "Cartier or Tiffany & Co should not appoint their roles," she says, "and so you should try to find a way to tell them that you are in Make sure you remember them from time to time, [stressing] why would you be a good candidate to join them. "And yesterday, not only does the jewelery industry still depend on oral tradition, so fill out and submit for competitions such as HRD Antwerp or Talent in Munich – leading to exhibitions – it is essential that you have a number of business professionals recognized for yourself.

In terms of job interviews, the process changes according to the gender of the company and the job you are applying. Small businesses may only need one round of interviews, but up to five based companies can include sweet exams, regional surveys and CVs, interview panels and, in some of cases, a written test. "Research is important," said Boons. "Students should look out why they can add their skills to the company, read their strategic plan and see what they are doing, they could add it. " If you can not get your dream work, the advice you do not give and instead take steps at the end will bring you closer to your goal. "[Ask yourself] what work would I get the knowledge they find? It's about being able to plan and be stable, "adding Boons.

Sophie Bill Brahe. Credit image: Simon Bocker Morc

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If there is a car that comes up with a logo already, you're expecting to go to it; Continue with your training and learning steps for your first two years of your post. "The school is good, but there is an essential use," which includes Silvestri. "Even though our new sections have magnificent steps, they always make copies of scenes from Bulgari archives." Mikimoto has the same, where trainers have a spend 18 months to Japanese traditional ink use and well-decorated brushwork methods & as they design Mikimoto's design.

The rationale behind this training and sketch is to get a better understanding of how to handle your artistic goals with the mechanics to play; making jewelery. "There are spherical pearls and it's very difficult to take turns into jewelery," make a definition. "It's not something that you can learn in a couple of days, you need a lot of knowledge." In Bulgari, working alongside senior staff, New staff learn how to choose gems. "He bought a gem just because it's beautiful and likes it, but because you know how to use it," said Silvestri. You also understand how to prioritize shapes, colors and co-ordinates in your sketches.

Sophie's Jewelery Bill Brahe. Credit image: Casper Sejersen

Learn how to communicate
The relationship between a photographer and craftsman is important, and that is why learning is so important that it is ready and that your craft is so important. At Mikimoto, photographers who choose to sketch their sketches among other pages of pages, so it's important to learn how to sell your design comprehensively. "We will keep the designs rough on board, and then show every designer," a & # 39; explain Make, saying communication skills are also essential between a designer and craftsman. This final relationship that is necessary for a photographer is to be a master, as the craftsmen interpret your design. This is easier in smaller houses; Bill Brahe, for example, is a team management of seven in the & # 39; her workshop in Copenhagen. For larger houses, it can be more complex: at Cartier, the photographers and craftsmen work under the same roof to ensure that they have a smooth dialogue, with Pierre Rainero, image leader, brand style and heritage,
describing "an uninterrupted conversation between the photographers and the jewelers." Bulgari's high jewelery workshop is near the design offices in Rome where the most remote parts are made, along with
A new factory in Piedmont for metalwork that is less complex.

Jeweler Jennifer Fisher. Credit image: Ben Ritter

When you launch your own business, it will start a bit
For Kermiche, her own banner back her house into a laundry store, and Creating his first sculpture with small, relatively cheap, small stones. "I've got money saved because I spent [the previous] Years of learning how to make my own prototypes, and so I did not have to work on production, "explains the photographer, who received her uncle's money at her & # 39 First stage. "I do not have a major representation," added the American designer Jennifer Fisher, who was a costume designer before launching his own label. "You need start a little, get there and see what's successful. Fisher made some of the personalized personalized car motifs for practitioners and celebrities, before a website was addressed to customers, and Bill Brahe started making specific pieces while receiving funding for her name.

When it comes to investing: be strategic. "[It was important] Having a team with my knowledge, "said Bill Brahe, as long as Fisher wants the simple advice but is important to" ensure that the infrastructure of its & # 39; business well. "

Jennifer Fisher's Jewelery Credit image: provided

Be the storyteller
"Journalists say they're telling a story," said Kermiche. "When I talk to my editor's friends, they say," Anissa we will spend stories. "" Personalized personal design can help you to create identity and competitiveness for your work on international market. Fisher, for example, created a dog tag design to mark the birth of his first son, and Bill Brahe introduced his pearls into jewelery after his mother was able to; gives her a pearl mill to be pregnant. "You can not offer anything as impressive as some of the jewelery houses," she says. "The only thing you do is something that is very different and personal."

Jeweller Anissa Kermiche. Credit image: provided

Creativity and innovation are also essential elements for prospective students, she is follow – especially if you're submitting for a & # 39; your first course. "I do not say you need to renew the wheel every time," she said VogueIf you're going to put other items on the planet, we need to make sure they say something ".

Anissa Kermiche Jewelery Credit image: Eva K Salvi

How to navigate through social media vs. traditional PR
If you choose to launch your own, social media can be valuable in getting the word. Kermiche turned her Instagram account to a lookbook, and created a full-ranging visual image for her new logo at her. small cost. Then she used the app to contact journalists. "You just want to open a magazine, read their first page, find their names, go to Instagram and find it," explains the artist. "It will not be long before they know if your output is correct."

Another option is to be & # 39; hiring a PR group, although it's expensive, because their knowledge can help to brand brand guides; emerge through a press, promote and sell. "We worked with a showroom for a short time and just did not represent us as a brand," Fisher said. "We're doing all our sales right now, and it's a lot more successful".

For Kermiche, the option to use a group that does not have a & # 39; go down to the personality of the photographer. "If you're out there, if your friends are affected, just do yourself," she says. "But if you have more creative minds, in fact PR is essential." However, you think carefully about the commercial partnerships you are doing and be aware of legal, including long-term contracts. "I would like to have a lawyer," she says. "He would save my life on a daily basis."

Anissa Kermiche Jewelery Credit image: Eva K Salvi

Develop your relationship with sellers
Kermiche will manage up to 20 face-to-face month meetings with retailers and his / her. Encouraging these relationships for a user's vision and can dream of her design work. "Things can be understood by e-mail," she said. "I'm asking what's selling [their] shop, their favorite preference, color in gold [they prefer], "Kermiche Continuing." It really helps me to focus my designs in a way that will, sell. "

"I think it's very important to respect your relationships in this business, healthy with your word and respect the people who have respect for you," a & # 39; add Fisher to him. Barneys were a & # 39; The first brick-and-mortar regional shop in the US was close to her.

Anissa Kermiche Jewelery Credit image: Eva K Salvi

How to become a jewelery designer, step-by-step guidance:
If you want to work for a company based …

1. Choose a degree in areas such as Design, Gemology or Fine Arts
2. Distribution of trade publications for job offers. Submitting for competitions, & # 39; Presenting your work and networks the easiest ways to be aware of future employers
3. Contact fixed brands, even though they do not have public advertising for a place
4. When you are applying for work, your handbook should show your technical, manual and creative skills as well as its. your thinking process. Include sketches, prototypes and ideas leaders
5. Make your search and keep up-to-date with business news. By showing a good knowledge of the history of a company and a commercial strategy you can give you the hand-on of other candidates
6. Communication is important: as a designer you will need to work with craftsmen, so you will be used to explain your thinking process and concepts in a clear way

Anissa Kermiche Jewelery Credit image: Eva K Salvi

Start your own business …

1. Put a short technical course with a creative step
2. Be aware of financially: start with a small representation, with your own help with special orders, make your own prototypes and find people with your knowledge that you do not have
3. Self-promotion is essential: learn how to use social media for you to create strong visual identity and connect with journalists, clients and retailers. Be aware of your relationship with retailers: feed them with personal meetings and use them to draw better targets