Should museum material be returned to the countries they came from? | Letters | Culture



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Simon Jenkins recites "French art historian André Malraux" as an author when he argues that "a museum … has always been an artificial concept, split objects that are not included in the context but out of there "(Stuffing items do not belong to our museums, November 24). Malraux himself seems to have been complex in his opinion of "stealing things", as he was also a political and intellectual life.

A program that gained early recognition attempted to steal and sell four sculptures from the Banteay Srei temple at Angkor, Cambodia. When he visited in 1923, he and his friend put their shoes off … with a plan to sell the stolen items on the art markets in London or New York "(The Many Lives of André Malraux , Apollo, 26 August 2017). When he was, not surprisingly, arrested and imprisoned, a conflicts with French deputies arrested his convictions, and appeared as a collector of ancient antiquities of the east and (to repeat the article Apollo again) "defending the world's heritage from native indigenous neglect".

In general, Malraux looks like something surprising to Sir Simon that he has been co-opted as a museum against a museum – such as "mausoleums", especially in relation to "acquisition, ownership and status" – as this cultural minister (under Charles de Gaulle's Head) thinks he has not been difficult to "protect issues" from their context.
Professor Nick Havely
Oxford

The case should be considered to be & # 39; Easter Island's return back to qualification, as others should like Parthenon slaves. My first choice is to return to a Sphinx beard, which is not my favorite. makes sense in the British Museum, but it would do much more than the Sphinx chin. But Simon Jenkins does not strengthen her & # 39; case by linking it to raising nationality (it does not use the word, hiding behind it as a "politics that promotes national self-confidence").

He was the provincial novelist Nikos Kazantzakis who made the argument for international. Not just Anglophile, he visited England just before the second war as a guest of the British Council. He spent a lot of time in the British Museum, where he was particularly fond of the Assyrian, powerful but barbarian sculptures, and the Persian midwives, handsome but handsome. In fact, indeed, the Elgin barbarians, who make an example of his & her; Greek opinion without anything else. "If there was a home at the time," wrote it, "and if he was a connoisseur prince, to love and remember the interesting moments, make sure that Museum Britain is that home. "
Oliver Miles
(British Ambassador for Greece, 1993-96), Oxford

Simon Jenkins argues that President Emmanuel Macron is right to return the historical items taken from Africa, Asia and South America. In principle, this looks honestly depressed. And then what is it? Is it sure that these countries want to return? Why did he come from a French president who was not a African or Asian man?

On a trip to London for a couple of years, I took a Roman Catholic high priest of Sokoto in Nigeria, Matthew Kukah, to the British Museum of British galleries. When we looked at Benin's ovens and the ivory masks; ask me if they were brought back to Nigeria. He said: "I think it would be better if they were here."

It was a case of argument; If you were backed to a museum in Nigeria, some people would like them to return to the locations where they were once, or that they would have been stolen. In addition, he said, many people are interested in Nigeria.

Last minute was given when I visited museums in Africa over the last 40 years. Exterior of Egypt, Kenya and South Africa, many tourists and school groups are going to museums. And it's sparkling places; in them, completely built by the emperor's powers left in the 1960s as part of an independent phacist. Today, governments do not support them. In Uganda, President Yoweri Museveni wanted to demolish the museum in Kampala. I am feeling that many African people have embarrassed his generation in the past.

The obvious solution is that the objects will be represented or distributed throughout the world's museums.
Richard Dowden
London

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